Screening Literacy: Reflecting on Models of Film Education in Europe
DOI:
https://doi.org/10.4185/RLCS-2014-1015Keywords:
Film literacy, film education, production of film language, convergence cultureAbstract
This article, building on an extensive summary of the European-scale Experts’ Study on film literacy in Europe 2012, draws attention to two different conceptions of film education: as an (a) entitlement for all, a social good (akin to the entitlement to universal literacy) and as (b) an instrumental means of developing film consumers, or audiences. Based upon a large survey of film education across 32 European countries, the authors give the context of film literacy in Europe three perspectives: (1) The established practice of film educators across all sectors in the member states; (2) the wider arguments about film culture and its importance; and (3) the relation between film literacy and media literacy, especially in the context of the EC’s media literacy initiative. We also reflect at the end on the relation between film education and the affordances, recommendations, limitations and misconceptions surrounding digital technologies
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