Self-identity disclosure in TV Fandom. Analysing the comments posted by Spanish female fans and community managers

Authors

DOI:

https://doi.org/10.4185/RLCS-2018-1242

Keywords:

Social audience, television fiction, identity, fans, Spain

Abstract

Digital age brings to television fiction viewers a variety of spaces where they can disclose their self-identity and emotions generated by the texts consumed.  Methodology. This article analyses 7,849 comments posted by female fans and community managers on 122 sites (forums and social networks) dedicated to the Spanish TV fiction. The 22,301 items generated from the comments analysed explore the emotions aroused by television fiction, such as joy, enthusiasm, sadness, anger, disappointment and nostalgia. Conclusions and discussion. The research confirms the potential of TV fiction to encourage self-reflection on the self-identity of fans. It also identifies forums as the platforms that encourage deeper debates about TV series, despite the popularity of social networks such as Facebook or Twitter. Finally, community managers’ comments, which focus on the promotion of TV programmes, disregard the strengthening of the feeling of collective identity.

Downloads

Download data is not yet available.

Author Biographies

Charo Lacalle Zalduendo, Autonomous University of Barcelona

Charo Lacalle is Professor of Journalism and Director of the Department of Journalism and Communication Sciences of the Autonomous University of Barcelona. 

She holds a Ph.D. degree in Communication Sciences and a Bachelor’s degree in Information Sciences and Philosophy from the same University. Editor of Anàlisi. Quaderns de Comunicació i Cultura (www.analisi.cat).

Coordinator of the Observatory of Spanish Fiction and New Technologies (OFENT, http://ofent.org/) and the Spanish team of the Ibero-American Observatory of Fiction Television (OBITEL, http://obitel.net).

Semiologist and specialist in the analysis of television and the Internet. Lecturer in numerous courses and seminars in Spanish, European and Latin American universities. Member of the scientific committee of various publications on Communication. Evaluator in different Spanish and European university quality assessment agencies. 

Author of more than 100 publications in the form of books, book chapters and articles in specialised journals. Her most recent publication include Gender, generation and reception of Spanish television fiction in the digital age (International Journal of Digital Television, 7(2), 2016, 217–231, coauthored with Cristina Pujol) and Promotion of Spanish scripted television on the internet: analyzing broadcast-related websites’ content and social audience” (El profesional de la información, 25(2), 2016, 246-253, coauthored with Deborah Castro).

H-INDEX: 9

Deborah Castro Mariño, University of madeira

Deborah Castro is a Post-Doctoral Researcher at Madeira Interactive Technologies Institute (Portugal). Her research interests lie in the fields of television studies, digital media and audience studies. She received a Ph.D. in Communication Studies (Autonomous University of Barcelona, Spain) sponsored by the scholarship “Formación de Profesorado Universitario” offered by the Spanish Government.

She holds a M.A. in research in communication and journalism (UAB) and a B.A. in journalism (University of Santiago de Compostela).

She has been a Visiting Scholar at the Department of Radio-Television-Film (University of Texas at Austin, USA), and a researcher with the Ibero-American Observatory of Television Fiction (Obitel) and the Observatory of Spanish Television Fiction and New Technologies. Her work has been presented at several venues, such as the annual conferences of the International Communication Association and the Society for Cinema and Media Studies. Her research is also available in peer-reviewed journals like El Profesional de la Información (coauthored with Charo Lacalle) and Palabra Clave (forthcoming in 2018); and conference proceedings, like Audio Mostly 2017 - ACM (coauthored with Nuno N. Correia and Atau Tanaka).

H-INDEX: 1

References

Alasuutari, P. (1996): “Television as a moral issue”. In: Crawford, P. and Hafsteinsson, S. (Eds.): The construction of the viewer: Media ethnography and the anthropology of audiences. (pp. 101-117). Højbjerg: Intervention Press.

Anderson, B. R. (1983): Imagined communities: reflections on the origin and spread of nationalism. London: Verso.

Anderson, C. (2006): The Long tail: why the future of business is selling less of more. New York: Hyperion.

Anderson, T. (2005): “Television and the Work of Mourning”. Flow TV, 3. Available at: http://flowtv.org/2005/11/television-and-the-work-of-mourning/ (Accessed May 20th, 2016).

Barkhuus, L. and Brown, B. (2009): “Unpacking the Television: User Practices around a Changing Technology”. ACM Transactions on Computer-Human Interaction, 19(3), 1-22. http://dx.doi.org/10.1145/1592440.1592444 DOI: https://doi.org/10.1145/1592440.1592444

Baym, N. K. (2000): Tune in, log on. Soaps, fandom, and online community. California: Sage Publications. DOI: https://doi.org/10.4135/9781452204710

Bielby, D. D., Harrington, C. L. and Bielby, W. T. (1999): “Whose stories are they? Fans’ engagement with soap opera narratives in three sites of fan activity”. Journal of Broadcasting & Electronic Media, 43(1), 35-51. http://dx.doi.org/10.1080/08838159909364473 DOI: https://doi.org/10.1080/08838159909364473

Booth, P. (2008): “Rereading Fandom: MySpace Character Personas and Narrative Identification”. Critical Studies in Media Communication, 25(5), 514-536. http://dx.doi.org/10.1080/15295030802468073 DOI: https://doi.org/10.1080/15295030802468073

Boyd, D. (2002): Faceted Id/entity: Managing representation in a digital world. Master Thesis, Massachusetts Institute of Technology. Available at: http://www.danah.org/papers/Thesis.FacetedIdentity.pdf (Accessed March 26th 2016).

Boyd, D. and Crawford, K. (2012): “Critical Questions for Big Data”. Information, Communication & Society, 15(5), 662-679. http://dx.doi.org/10.1080/1369118X.2012.678878 DOI: https://doi.org/10.1080/1369118X.2012.678878

Bury, R. (2005): Cyberspaces of their own. Female fandoms online. New York: Peter Lang International Academic Publishers.

Casetti, F. and Di Chio, F. (1999): Análisis de la televisión. Instrumentos, métodos y prácticas de investigación. Barcelona: Paidós.

Coppa, F. (2006): “A brief history of media fandom”. In: Hellekson, K. & Busse, K. (Eds.), Fan fiction and fan communities in the age of the Internet. (pp. 41-60). North Carolina: McFarland.

D’heer, E. and Courtois, C. (2016): “The changing dynamics of television consumption in the multimedia living room”. Convergence. Journal of Research into New Media Technologies 22(1), 3-17. http://dx.doi.org/10.1177/1354856514543451 DOI: https://doi.org/10.1177/1354856514543451

Fiske, J. (1992): “The cultural economy of fandom”. In: Lewis, L. A. (Ed.), The adoring audience. Fan culture and popular media. (pp. 30-49). London: Routledge.

Gergen, K. J. (1991): The saturated self: dilemmas of identity in contemporary life. BasicBooks, cop.

Giddens, A. (1991): Modernity and Self-Identity. Self and Society in the Late Modern Age. Cambridge: Polity Press.

Giglietto, F. and Selva, D. (2014): “Second Screen and Participation: A Content Analysis on a Full Season Dataset of Tweets”. Journal of Communication, 64(2), 260-277. http://dx.doi.org/10.1111/jcom.12085 DOI: https://doi.org/10.1111/jcom.12085

Hadas, L. (2013): “Resisting the romance: ‘Shipping’ and the discourse of genre uniqueness in Doctor Who Fandom”. European Journal of Cultural Studies, 16(3), 329-343. http://dx.doi.org/10.1177/1367549413476011 DOI: https://doi.org/10.1177/1367549413476011

Han, E. and Lee, S. (2014): “Motivations for the complementary use of text-based media during linear TV viewing: An exploratory study”. Computers in Human Behavior, 32, pp. 235-243. DOI: https://doi.org/10.1016/j.chb.2013.12.015

Harrington, S. (2014): “Tweeting about the Telly: Live TV, Audiences, and Social Media”. In: Weller, K., Bruns, A., Burgess, J., Mahrt, M. and Puschmann, C. (Eds.) (pp. 237-248). Twitter and Society. New York, Washington D.C./Baltimore, Bern, Frankfrut, Berlin, Brussels, Vienna, Oxford: Peter Lang.

Harrington, C. L., Bielby, D. D. and Bardo, A. R. (2011): “Life course transitions and the future of fandom”. International Journal of Cultural Studies,14(6), 567-590. http://dx.doi.org/10.1177/1367877911419158 DOI: https://doi.org/10.1177/1367877911419158

Hartmann, T. and Goldhoorn, C. (2011): “Horton and Wohl Revisited: Exploring Viewers’ Experience of Parasocial Interaction”. Journal of Communication, 61(6), 1104-1121. http://dx.doi.org/10.1111/j.1460-2466.2011.01595.x DOI: https://doi.org/10.1111/j.1460-2466.2011.01595.x

Haythornthwaite, C. (2005): “Social networks and Internet connectivity effects”. Information, Communication & Society, 8(2), 125-147. http://dx.doi.org/10.1080/13691180500146185 DOI: https://doi.org/10.1080/13691180500146185

Hills, M. (2013). “Fiske’s ‘textual productivity’ and digital fandom: Web 2.0 democratization versus fan distinction?”. Participations. Journal of Audience & Reception Studies, 10(1), pp. 130-153.

Jenkins, H. (1992a): Textual poachers: television fans & participatory culture. Barcelona: Paidós Comunicación.

Jenkins, H. (1992b): “Strangers no more, we sing’: Filking and the social construction of the science fiction fan community”. In: Lewis, L. A. (Ed.), The Adoring audience. Fan culture and popular media. (pp. 208-236). London: Routledge.

Jenkins, H. (1995): “Do you enjoy making the rest of us feel stupid? Alt.tv.twinpeaks, the trickster author and viewer mastery”. In: Lavery, D. (Ed.), Full of Secrets: Critical Approaches to Twin Peaks. (pp. 51-69). Detroit: Wayne State University Press.

Jenkins, H. (2006): Convergence culture: where old and new media collide. New York, London: New York University.

Knaggs, A. (2011): “Prison Break General Gabbery: Extra-Hyperdiegetic Spaces, Power, and Identity in Prison Break”. Television & New Media, 12(5), 395-411. http://dx.doi.org/10.1177/1527476410374966 DOI: https://doi.org/10.1177/1527476410374966

Larsen, P. (2010): “The grey area. A rough guide. Television fans, internet forums, and the cultural public sphere”. In: Gripsrud, J. (Ed.), Relocating television. Television in the digital context. (pp. 157-168). New York: Routledge.

Lifton, R. J. (1993): “The changing psychological landscape”. In: Lifton, R. J. (Ed.) The protean self: human resilience in an age of fragmentation. (pp. 1-12). New York: Basibooks.

Lindloff, T. (1988): Media audience as interpretative communities. In: Andersen, J. (Ed.) Communication Yearbook, 11. (pp. 81-107). Newsbury Park: Sage. DOI: https://doi.org/10.1080/23808985.1988.11678680

Livingstone, S. (2004) “The challenge of changing audiences: or, what is the researcher to do in the age of the internet”. London: LSE Research Online. Available at: http://eprints.lse.ac.uk/archive/00000412 (accessed 20 December 2016).

Lotz, A. D. and Ross, S. M. (2004): “Toward Ethical Cyberspace Audience Research: Strategies for Using the Internet for Television Audience Studies”. Journal of Broadcasting & Electronic Media, 48(3), 501-512. http://dx.doi.org/10.1207/s15506878jobem4803_9 DOI: https://doi.org/10.1207/s15506878jobem4803_9

Madill, A. and Goldmeier, R. (2003): “Text of female desire and of community”. International Journal of Cultural Studies, 6(4), 471-494. http://dx.doi.org/10.1177/136787790364005 DOI: https://doi.org/10.1177/136787790364005

Mahrt, M. and Scharkow, M. (2013): “The Value of Big Data in Digital Media” Research. Journal of Broadcasting and Electronic Media, 57(1), 20-33. http://dx.doi.org/10.1080/08838151.2012.761700 DOI: https://doi.org/10.1080/08838151.2012.761700

Michelle, C. (2007): “Modes of reception: A consolidated analytical framework”. The Communication Review, 10(3), pp. 181-222. DOI: https://doi.org/10.1080/10714420701528057

Miller, V. (2008): “New Media, Networking and Phatic Culture”. Convergence: The International Journal of Research into New Media Technologies 14(4), 387-400. http://dx.doi.org/10.1177/1354856508094659 DOI: https://doi.org/10.1177/1354856508094659

Okazaki, S., Díaz-Martín, A. M., Rozano, M. and Menéndez-Benito, H. D. (2015): “Using Twitter to engage with customers: a data mining approach”. Internet Research, 25(3), 416-434. http://dx.doi.org/10.1108/IntR-11-2013-0249 DOI: https://doi.org/10.1108/IntR-11-2013-0249

Rubin, A. M. (1985): “Uses of Daytime Television Soap Operas by College Students”. Journal of Broadcasting & Electronic Media, 29(3), 241-258. http://dx.doi.org/10.1080/08838158509386583 DOI: https://doi.org/10.1080/08838158509386583

Sandvoos, C. (2005): Fans. The mirror of consumption. Cambridge: Polity Press.

Silverstone, R. and Haddon, L. (1996): Design and domestication of information and communication technologies: technical change and everyday life”. In Mansell, R. and Silverstone, R. (Eds.), Communication by design: the politics of information and communication technologies. (pp. 44-74). Oxford: Oxford University Press.

Simons, N. (2014): “Audience Reception of Cross and Transmedia TV Drama in the Age of Convergence”. International Journal of Communication, 8, pp. 2220-2239.

Spottswood, E. L., Walther, J. B., Holmstrom, A. J. and Ellison, N. B. (2013): “Person-Centered Emotional Support and Gender Attributions in Computer-Mediated Communication”. Human Communication Research, 39(3), 295-316. http://dx.doi.org/10.1111/hcre.12006 DOI: https://doi.org/10.1111/hcre.12006

Taleb, N. N. (2007): The Black Swan: The Impact of the Highly Improbable. New York: Random House.

The Wit. (2013): “10 Trends for social TV in 2013. The new shows the world will be talking about”. Available at: http://www.my-mip.com/RM/RM_MIPWORLD/2013/documents/pdf/resource-centre/whitepapers/miptv-mipcom-the-wit-ten-trends-social-tv-2013-whitepaper.pdf?v=634946493438778738 (23 November, 2015).

Thomas, B. (2011): “What is fanfiction and why are people saying such nice things about it?”. StoryWorlds: A Journal of Narrative Studies, 3, 1-24. http://dx.doi.org/10.5250/storyworlds.3.2011.0001 DOI: https://doi.org/10.5250/storyworlds.3.2011.0001

Thompson, J. B. (1995): The Media and Modernity: a social theory of the media. Cambridge: Polity.

Tisseron, S. (2003) : Hitchcock m’a guèri. Paris: Albin Michel.

Turkle, S. (1997): Life on the screen. Identity in the age of the Internet. New York: Touchstone.

Utz, S. (2014): “Media and friendship”. In: Oliver, M. B. and Raney, A. A. (Eds.), Media and social life. (pp. 111-123). New York, London: Routledge. DOI: https://doi.org/10.4324/9781315794174-8

Vaidhyanathan, S. (2008): Naked in the “Nonopticon”. The Chronicle of Higher Education, 15 February 2008. Available at: http://chronicle.com/article/Naked-in-the-Nonopticon-/6197 (20 November 2015).

Van Zoonen, L. (2011): “Feminist perspectives on the media”. In: Kearney, M. C. (Ed.), The gender and media reade. (pp. 25-39). New York, NY: Routledge.

Vassallo de Lopes, M. I. (2012): “A case study on transmedia reception: Fandom on Facebook and social issues in the brazilian telenovela Passione”. Anàlisi. Quaderns de Comunicació i Cultura. Monogràfic, 111-132. http://dx.doi.org/10.7238/a.v0iMonogr%C3%A0fi.1505 DOI: https://doi.org/10.7238/a.v0iMonografico.1505

Walther, J. B. (2007): “Selective self-presentation in computer-mediated communication: Hyperpersonal dimensions of technology, language and cognition”. Computers in Human Behaviour, 23/5) 5, 2538-2557. http://dx.doi.org/10.1016/j.chb.2006.05.002 DOI: https://doi.org/10.1016/j.chb.2006.05.002

Webb, L. M., Chang, H., Hayes, M. T., Smith, M. M. and Gibson, D. M. (2012): “Mad Men Dot Com: An Analysis of Commentary from Fan Websites”. In: Stern, D. M., Manning, J. and Dunn, J. C. (Eds.), Lucky Strikes and a Three Martini Lunch. (pp. 226-239). Newcastle upon Tyne: Cambridge Scholars Publishing.

Williams, R. (2010): “Good Neighbours? Fan/produer relationships and the broadcasting field”. Continuum: Journal of Media & Cultural Studies, 24(2), 279-289. http://dx.doi.org/10.1080/10304310903576366 DOI: https://doi.org/10.1080/10304310903576366

Williams, R. (2015): Post-Object Fandom. Television, Identity and Self-narrative, Bloomsbury Academic: New York. DOI: https://doi.org/10.5040/9781501304453

Wood, M. M. and Baughman, L. (2012): “Glee Fandom and Twitter: Something New, or More of the Same Old Thing?”. Communication Studies, 63(3), 328-344. http://dx.doi.org/10.1080/10510974.2012.674618 DOI: https://doi.org/10.1080/10510974.2012.674618

Published

2018-01-01

How to Cite

Lacalle Zalduendo, C., & Castro Mariño, D. . (2018). Self-identity disclosure in TV Fandom. Analysing the comments posted by Spanish female fans and community managers. Revista Latina de Comunicación Social, (73), 1–18. https://doi.org/10.4185/RLCS-2018-1242

Issue

Section

Miscellaneous