Social networking sites and museums: analysis of the Twitter campaigns for International Museum Day and Night of Museums

Authors

DOI:

https://doi.org/10.4185/RLCS-2017-1162

Keywords:

Museums, Twitter, participation, content, communication

Abstract

Social networks represent an opportunity for communication management in museums. This work analyses the joint initiative of five museums on Twitter during the most important milestone events of the year for the sector: The International Museum Day and the Night of Museums. The relevance of the study lies in the confluence of different disciplines and approaches: the humanities, corporate communication, digital communication and public relations. Moreover, these types of institutions are not a common object of study, despite their great relevance in the museum sector: The Lázaro Galdiano Museum; The Museum of Romanticism; The Cerralbo Museum; The National Museum of Decorative Arts; and The Sorolla Museum. Methods: The study is based on the content analysis of the Twitter accounts of the aforementioned museums as means to evaluate the campaign’s content management and generation of participation in the social network. Results and Conclusions: The results indicate these museums need to develop a more defined strategy that takes advantage of the potential of social networking sites, given that content is not used as a strategy and user participation is not as high as expected during these very relevant events.

Downloads

Download data is not yet available.

Author Biographies

Raquel Caerols-Mateo, Francisco de Vitoria University

Raquel Caerols-Mateo is Full Professor and Researcher, accredited by the National Agency for Quality Assessment and Accreditation of Spain (ANECA) and the National Commission for Research Evaluation of Spain (CNEAI). She holds a Doctoral Degree in Applied Creativity (with Honours, Cum Laude) from the School of Fine Arts of the prestigious Complutense University of Madrid (UCM). Professor in the area of creativity and visual arts of the School of Communication of the Francisco de Vitoria University (UFV), in Madrid (Spain).

She has participated as speaker in international conferences, such as the Computer Art in Mexico City, and the 6th Conference on Fun and Education for New Learning, organised by the Technology Foundation of Madrid and held in Cartagena de Indias (Colombia) and the International Festival of Film and Television on Urban Life and Ecology. Author of book chapters and books and more than a dozen of articles published in important journals, such as Revista de Artes Plásticas, Estética, Diseño e Imagen, Bellas Artes (University of La Laguna), Trípodos, Estudios sobre el Mensaje Periodístico (Spain) and Argos (Venezuela). Co-Director, along with Dr. Juan-Arturo Rubio-Aróstegui, of the First Symposium on Cyber culture and New Media Art, sponsored by the Ministry of Culture and Sports of the Government of Spain.

Mónica Viñarás-Abad, CEU San Pablo University

She holds a PhD in Communication from Complutense University of Madrid (Spain). Adjunct Professor at Universidad CEU San Pablo.

Author of several books, including Basic Dictionary of Communication and also of various articles in scientific journals.

Her research will focus on the strategic management of corporate communication and its social effects. It is part of the project CSO2015-66746-R, S2015 / HUM-3434 (PROVULDIG-CM) and belongs to several professional associations such as AEIC, DIRCOM, Icono 14 or AIRP.

Juan Enrique Gonzálvez-Valles, CEU San Pablo University

Juan Enrique Gonzálvez-Vallés holds a PhD degree in Information Sciences from the Complutense University of Madrid, and a B.A. degree in Journalism. Professor of Marketing and Business Management at the Camilo José Cela University in Madrid. He is attached to the Department of Audiovisual Communication and Advertising of the University CEU San Pablo, where he teaches Market Research, Fundamentals of Advertising, and Radio Production.

Member of the “Concilium” research group, the Spanish Society for the Study of Ibero-American Communication and Forum XXI, where is deputy editor of the scientific journals Vivat Academia and Revista de la SEECI. Former director of the International University Congress on Communication: Contents, Research, Innovation and Teaching (CUICIID 2014).

In terms of professional experience, he has worked for several media companies, has coordinated the Sponsorships and Communications project of BBVA. Current Social Media Manager of the University CEU San Pablo and Community Manager of the School of Humanities and Communication Sciences of the University CEU San Pablo.

References

Badell, J. (2015): “Los museos de Cataluña en las redes sociales: resultados de un estudio de investigación.” Revista Interamericana de Bibliotecología, 38(2), 159-164. https://revistas.udea.edu.co/index.php/RIB/article/view/22587/18660 DOI: https://doi.org/10.17533/udea.rib.v38n2a07

Celaya, J. y Viñarás, M. (2006): Las nuevas tecnologías Web 2.0 en la promoción de museos y centros de arte. Dosdoce.

C.H.I.N. (2006): Survey of Visitors to Museums’ Web Space and Physical Space. Canadian Heritage Information Network. https://www.artsmanagement.net/Articles/Survey-Visitors-to-Museums-Web-Space-and-Physical-Space,2694.

Camarero, C. y Garrido, M. J. (2011): “Incentives, Organisational Identification and Relationship Quality among Members of Fine Art Museums” en Journal of Service Management, Vol. 22. DOI: https://doi.org/10.1108/09564231111124253

Carreres, M. (2015): El uso de Twitter en cinco museos especializados. Trabajo Fin de Grado Universidad CEU San Pablo.

Cordón, D. (2012): Museums Communication: What do they really offer? The power of preserving intangibles. http://dadun.unav.edu/bitstream/10171/22493/1/Paper%20CICOM%20last%20version.pdf (23-02-2016= fecha de la consulta).

Cordón, D. (2013): Museos y Gabinetes de Comunicación: sinergias eficaces para el futuro. https://www.researchgate.net/publication/307438126

de la Peña, J. (2014): ¿Sirven para algo las redes sociales en el sector cultural?. https://bit.ly/3vZKZlo

del Río, N. (2012): “Recursos educativos en museos online de arte contemporáneo. Tipología e implantación.” Arte, Individuo y Sociedad 25 (2), 233-246. http://dx.doi.org/10.5209/rev_ARIS.2013.v25.n2.38955 DOI: https://doi.org/10.5209/rev_ARIS.2013.v25.n2.38955

Dosdoce. (2011): Análisis de la conexiones de museos y centros de arte en las redes sociales. https://bit.ly/3fdh41Y

Fernández, L. A. (2010). Museología: Introducción a la teoría y práctica del museo. Madrid: Fundamentos Istmo.

Font, L. y Cuesta, U. (2012). Comunicación corporativa y redes sociales: cambiarlo todo para que nada cambie. adComunica, (3), 23-25. DOI: https://doi.org/10.6035/2174-0992.2012.3.2

Fortaleza Oliver, M. (2012): El papel de los museos en las redes sociales. Biblos, nª 48. https://dx.doi.org/10.5195/biblios.2012.66 DOI: https://doi.org/10.5195/biblios.2012.66

González-Fernández-Villavicencio, N. (2014): El # hashtag ya tiene historia. Anuario ThinkEPI, 8, 326-330.

Gómez Vílchez, S. (2012): Museos españoles y redes sociales. Evaluación de preferencia y participación. Telos, nº 90.

Ibáñez Echeverría, A. (2010): Museos, redes sociales y tecnología 2.0. https://addi.ehu.es/bitstream/10810/15564/1/UHWEB115563.pdf (11-04-2016= fecha de la consulta).

Jiménez, A. (2016). Recuperado en http://www.puromarketing.com/55/12033/conceptos-engagement-comunicacion.html. (15-01-2016 = fecha de la consulta).

Jung, Y. (2010): The Ignorant Museum: Transforming the Elitist Museum into an Inclusive Learning Place. The New Museum Community: Audiences, Challenges, Benefits. Edinburgh: MuseumsETC, pp. 272-290.

Kravchyna, V. y Hastings, S. K. (2002): Informational Value of Museum Web Sites. First Monday 7 (2). https://firstmonday.org/ojs/index.php/fm/article/view/929 DOI: https://doi.org/10.5210/fm.v7i2.929

Losada-Díaz, C. y Capriotti, P. (2015): “La comunicación de los museos de arte en Facebook. Comparación entre las principales instituciones internacionales y españolas”. Palabra Clave, 18(3), 889-904. https://dx.doi.org/10.5294/pacla.2015.18.3.11 DOI: https://doi.org/10.5294/pacla.2015.18.3.11

Lucio, A. (2011): El valor de los enlaces en un texto. http://www.fundeu.es/escribireninternet/valor-de-enlaces-en-texto/ (30-05-2016= fecha de la consulta).

Marty, P. F. y Chen, H. (2006): The Digital Museum in the Life of the User. Proceedings of the American Society for Information Science and Technology 42. https://dx.doi.org/10.1002/meet.1450420132 DOI: https://doi.org/10.1002/meet.1450420132

Mateos, S. (2012): Manual de Comunicación para museos y atractivos patrimoniales. Gijón: TREA.

Merín, C. (2015): Museos y redes sociales, de la difusión a la interacción. Recuperado en http://endecomunicacion.com/museos-y-redes-sociales-de-la-difusion-a-la-interaccion/ (17-1-2016= fecha de la consulta).

Rodríguez, S. Revista ICOM España CE Digital, nº 5. http://www.icom-ce.org/recursos/ICOM_CE_Digital/05/ICOMCEDigital05.pdf (29-09-2016)

Mejía Llano, J. C. (2013). La guía del Community Manager. Estrategia, táctica y herramientas. Madrid: Anaya Multimedia.

Ministerio de Educación, Cultura y Deporte. (2014): http://www.mecd.gob.es/servicios-al-ciudadano-mecd/dms/mecd/servicios-al-ciudadano-mecd/estadisticas/cultura/mc/em/ano-2014/Estadistica_de_Museos_y_Colecciones_Museograficas_2014_Sintesis_de_resultados.pdf (22-03-2016= fecha de la consulta).

Mus-a. Revista de los Museos de Andalucía (2010). http://www.juntadeandalucia.es/cultura/museos/media/docs/PORTAL_musa_n12_redc.pdf (22-03-2016= fecha de la consulta).

Museo Nacional de Escultura de Valladolid. Recuperado en http://museoescultura.blogspot.com.es/2014/01/jornada-los-museos-no-entienden-las.html). (12-12-2015 = fecha de la consulta).

Oliveira, A. y Capriotti, P. (2013): “Gestión estratégica de los públicos en museos. De la identificación a la comunicación”. El profesional de la información, mayo-junio, 22(3), pp. 210-214. DOI: https://doi.org/10.3145/epi.2013.may.03

Reynolds, R. (1997): Museums and the Internet: What purpose should the information supplied by museums on the World Wide Web serve? (Tesis no publicada). Department of Museum Studies, Leicester University, United Kingdom.

Túñez, M. (2012): “Los periódicos en las redes sociales: audiencias, contenido, interactividad y estrategias comerciales”. Estudios sobre el mensaje periodístico, 18(1), 221-239. DOI: https://doi.org/10.5209/rev_ESMP.2012.v18.n1.39367

Viñarás Abad, M. (2011): La gestión de la comunicación de los museos de Madrid: auditoría de relaciones públicas. Madrid. Cersa.

Viñarás Abad, M. (2014): “Identidad corporativa y museos: los casos del Museo de Artes Decorativas, Museo Cerralbo, Museo Lázaro Galdiano, Museo del Romanticismo y Museo Sorolla”. Nuevas Culturas y Sus Nuevas Lecturas. Madrid: McGraw Hill, 701-714.

Viñarás Abad, M. y Caerols Mateo, R. (2016): #5Museos: un caso de éxito sobre la oportunidad de las redes sociales para generar engagement”. Congreso Internacional de Relaciones Públicas. Universidad CEU Cardenal Herrera. Valencia, abril 2016.

Wintzerith, S. (2010): “The Inclusive Museum: the Three Specifics”. Abery, N., Adler, L. y Anuradha, B. (Contributors) The New Museum Community. Audiences, Challenges, Benefits. A collection of Essays. Edinburgh: MuseumsETC

Published

2017-02-25

How to Cite

Caerols-Mateo, R. ., Viñarás-Abad, M., & Gonzálvez-Valles, J. E. (2017). Social networking sites and museums: analysis of the Twitter campaigns for International Museum Day and Night of Museums. Revista Latina De Comunicación Social, (72), 220–234. https://doi.org/10.4185/RLCS-2017-1162

Issue

Section

Miscellaneous

Most read articles by the same author(s)