TV violence: Disturbing, interesting or morbid?

Authors

DOI:

https://doi.org/10.4185/RLCS-2013-991

Keywords:

violence, television, discourse analysis, audience research

Abstract

Although much research has contributed to the study of TV violence effects, the reasons why it arouses interest or rejection has received scant attention. Our objective is to develop an analysis on the discourse about audience interest or lack of interest in TV violence, their arguments, moral criteria and conditions. Methodology. 16 focus groups, carried out in Madrid and segmented by sex, age and educational level are analysed. Results. Audience discourses range from rejection to morbid interest, intolerance, lack of interest and self-protection. These discourses are modulated by the actuality or fictionality of broadcasted products. Conclusions. Audience discourses deny the supposedly generalized attractiveness of violence. And this supposedly emotional attractiveness of violence is being given sense by audience, under dimensions of learning, self-knowledge and moral reflexivity

Downloads

Download data is not yet available.

Author Biographies

Concepción Fernández Villanueva, Complutense University of Madrid

Concepción Fernández Villanueva has directed several research projects and published, nationally and internationally, on gender violence, youth violence, school violence, violence in the media, and theories in Social Psychology.

Her latest publications include: “Las emociones que suscita la violencia en televisión” (“The emotions provoked by violence on televisión”) in Comunicar; “La mirada moral sobre la violencia en televisión. Un análisis de los discursos de los espectadores” (“The moral view on violence on television. An analysis of viewers’ discourses”) in Revista Internacional de Sociología; and “Identificación y especularidad en los espectadores de violencia en televisión: una reconstrucción a partir del discurso” (“Identification and specularity among consumers of television violence: a discourse-based reconstruction”) in Comunicación y Sociedad.

Juan Carlos Revilla Castro, Complutense University of Madrid

Juan Carlos Revilla Castro has carried out and published research, nationally and internationally, on youth and school violence, and on violence in the media, as well as on gender, subjectivity and work, organisational transformations, and identity-configuration in young people.

He is the co-author of “Las emociones que suscita la violencia en televisión” (“The emotions provoked by violence on televisión”) in Comunicar; “La mirada moral sobre la violencia en televisión. Un análisis de los discursos de los espectadores” (“The moral view on violence on television. An analysis of viewers’ discourses”) in Revista Internacional de Sociología; and “Identificación y especularidad en los espectadores de violencia en televisión: una reconstrucción a partir del discurso” (“Identification and specularity among consumers of television violence: a discourse-based reconstruction”) in Comunicación y Sociedad

Rafael González Hernández, Complutense University of Madrid

Rafael González Hernández specialises in group dynamics and within this field he has taught over a thousand courses, in several public and private institutions, and has published many works, including: Seis lecciones de comunicación humana (“Six lessons in human communication”); Tallerzuelo portátil de dinámica de grupos (Mobile workshop in group dynamics”); Psicosociología de los grupos pequeños (“Psycho-sociology of small groups”) and Psicosociología del stigma (“Psycho-sociology of stigma”).

Blanca Lozano Maneiro, Complutense University of Madrid

In the last years, Blanca Lozano Maneiro has focused on the work of Erving Goffman and its implications for the social sciences, a subject explored in her doctoral dissertation and thesis.

She is the author of several articles about the Goffmanian thought, including “En el aniversario de Erving Goffman (1922-1982)” ("On the occasion of the anniversary of Erving Goffman (1922-1982)", published in REIS in 2003.

References

Alonso, L. E. (1998): La mirada cualitativa en sociología. Madrid: Fundamentos.

S Aran, F Barata, J Busquet, P Medina, S Moron (2003): Infancia, violencia y televisión: usos televisivos y percepción infantil de la violencia en la televisión. Barcelona: Trípodos.

Barker, M., Arthus, J. & Harindranath, R. (2001): The Crash Controversy: Censorship campaigns and film reception London: Wallflower Press.

Boltanski, L. (1999): Distant Suffering. Morality, Media and Politics. Cambridge: Cambridge University Press. DOI: https://doi.org/10.1017/CBO9780511489402

Boyle, K. (2005): Media and violence. London: Sage.

Brundson, C. (2000): The Feminist, the Housewife and the Soap Opera. Oxford: Clarendon Press. DOI: https://doi.org/10.1093/acprof:oso/9780198159803.001.0001

Busquet, J. y Ruano, L. (2008): “Infància, violència i televisió. Els espais informatius i els imaginaris de la violencia en els infants i preadolescents". Revista Catalana de Sociologia, 23, 121-131.

Bushman, B. J., Huesmann, L. R. & Whitaker, J. L. (2009): “Violent media effects”. En Nabi, R. L. y Oliver, M. B. (Eds.): Media processes and effects. (pp. 361-376). Thousand Oaks, CA: Sage.

Callejo, J. (1995): La audiencia activa. El discurso televisivo: discursos y estrategias. Madrid: Centro de Investigaciones Sociológicas.

Campbell, D. (2004): “Horrific blindness: Images of death in contemporary media”. Journal for Cultural Research, 8, 55-74. DOI: https://doi.org/10.1080/1479758042000196971

Charaudeau, P. (2006): "Information, émotion et imaginaires. A propos du 11 Septembre 2001". En Dayan, D. (ed.): La terreur spectacle. Terrorisme et televisión. (pp. 52-61). Paris: INA-de boek. DOI: https://doi.org/10.3917/dbu.dayan.2006.01.0051

Cherry, B. (1999): “Refusing to refuse to look: female viewers of the horror film”. En Stokes, M. y Maltby, R. (eds): Identifying Hollywood’s audiences: Cultural Identity and the movies. London: BFI.

Chouliaraki, L. (2006): The spectatorship of suffering. London: Sage. DOI: https://doi.org/10.4135/9781446220658

CIS (2000): La televisión y los niños: hábitos y comportamientos. http://www.cis.es/cis/opencm/ES/1_encuestas/estudios/ver.jsp?estudio=1377, acceso el 9 de septiembre de 2011.

COMFER (Comité Federal de Radiodifusión, 2009): Encuesta sobre televisión y violencia, accesible en [link] y [link], acceso el 9 de septiembre de 2011.

Comisión Especial Sobre Los Contenidos Televisivos (1993-1995), accesible en www.senado.es/legis5/publicaciones/pdf/senado/ds/CS0062.PDF, acceso el 9 de septiembre de 2011.

Comstock, G. & Scharrer, E. (1999): Television: What’s on, who’s watching and what it means. San Diego, CA: Academic Press.

Consell de l’Audiovisual à Catalunya (2004): Informe de l’audiovisual del CAC. Quaderns del CAC, [link], acceso el 9 de septiembre de 2011.

Consell de l’Audiovisual à Catalunya (2010): Estudi d’opinió pública sobre els mitjans audiovisuals de Catalunya. Barcelona: CAC.

Davison, W. P. (1983): “The third-person effect in communication”. Public Opinion Quarterly,47, 1-15. DOI: https://doi.org/10.1086/268763

Dayan, D. (2006): La terreur spectacle: Terrorisme et télévision. Paris: INA-de boek. DOI: https://doi.org/10.3917/dbu.dayan.2006.01

Dean, C. (2003): “Empathy, pornography and suffering”. Differences: A Journal of Feminist Cultural Studies, 14, 88-124. DOI: https://doi.org/10.1215/10407391-14-1-88

Denzin, N. K. & Lincoln, Y. S. (eds., 1994): Handbook of qualitative research. Thousand Oaks: Sage.

Domínguez Bilbao, R. y Fernández Villanueva, C. (2009): “Psicologia social da legitimidade e sua relação com o cotidiano”, en Mayorga, C., Rasera, E. F. y Pereira, Maristela S. (eds.):Psicologia Social: sobre desigualdades e enfrentamentos. Curitiba: Juruá Editora.

Edwards, D. (1999): “Emotion Discourse”. Culture & Psychology, 5, 271–91. DOI: https://doi.org/10.1177/1354067X9953001

Ellis, J. (2000): Seeing Things: Television in the Age of Uncertainty. London: I.B. Tauris. DOI: https://doi.org/10.5040/9780755604784

Ellis, J. (2008): “Mundane Witnessing”, en Frosh, Paul y Pinchevski, Amit (eds.): Media Witnessing: Testimony in the Age of Mass Communication. Londres: Palgrave-Macmillan.

Fernández Villanueva, C., Domínguez, R., Revilla, J. C. y Anagnostou, A. (2004): “Formas de legitimación de la violencia en televisión”. Política y Sociedad, 41(1), 183-199.

Fernández-Villanueva, C., Domínguez, R., Revilla, J. C. & Anagnostou, A. (2006): “Broadcasting of violence in the Spanish television. A quantitative panorama”. Aggressive Behavior, 32, 137-145. DOI: https://doi.org/10.1002/ab.20110

Friday, J. (2000): “Demonic curiosity and the aesthetics of documentary photography”. British Journal of Aesthetics, 40, 356-375. DOI: https://doi.org/10.1093/bjaesthetics/40.3.356

Glaser, B. G. & Strauss, A. L. (1967): The discovery of grounded theory. Chicago: Aldine.

González Requena, J. (2003): “Comunicación, significación, información, espectáculo”. En Imbert, G. (coord.): Televisión y cotidianeidad. La función social de la televisión en el nuevo milenio, https://bit.ly/3LTbTnu

Gordo, A. J. y Serrano, A. (2009): Estrategias y prácticas cualitativas de investigación social. Madrid: Pearson Educación.

Hetsroni, A. (2007): “Four Decades of Violent Content on Prime-Time Network Programming: A Longitudinal Meta-Analytic Review”. Journal of Communication, 57, 759–784. DOI: https://doi.org/10.1111/j.1460-2466.2007.00367.x

Hill, A. (2001): “‘Looks like it hurts’. Women’s responses to shocking entertainment”. En Barker, M. y Petley, J. (ed.): Ill effects: The media violence debate. (pp. 135-149). London: Routledge.

Imbert, G. (2006): "Violences symboliques et jeu avec les limites dans la nêo-television". Les Politiques Sociales, 66(1/2), 13-30.

Íñiguez, L. (2009): Análisis del discurso: manual para las ciencias sociales. Barcelona: UOC.

Kitzinger, J. (2000): “Media Templates patterns of association and the reconstruction of meaning over time”. Media, Culture and Society, 22, 61-84. DOI: https://doi.org/10.1177/016344300022001004

Kitzinger, J. (2001): “Transformation of public and private knowledge: audience reception, feminism and the experience of childhood sexual abuse”. Feminist Media Studies, 1(1), 91-104. DOI: https://doi.org/10.1080/14680770120042882

Kovacs, A. & Wodak, R. (2003): Neutrality and National Identity. Viena: Bölhau.

Kriegel, B. (2002): La violence a la televisión. Rapport du Ministère de la Culture et de la Communication France, http://www.culture.fr/culture/actualites/communiq/aillagon/RapportBK.rtf, acceso el 9 de septiembre de 2011.

Kryzanowski, M. (2008): “Analyzing Focus group discussions”. En Wodak, R. y Kryzanowski, M. (eds.): Qualitative Discourse Analysis in the social Science.Londres: Macmillan-Palgrave. DOI: https://doi.org/10.1007/978-1-137-04798-4_8

Livingstone, S. M. (1998): Making sense of television: The psychology of audience interpretation. New York: Routledge.

Moeller, S. D. (1999): Compassion fatigue: How the media sell disease, famine, war and death. New York: Routledge.

Moores, S. (1993): Interpreting Audiences: The Ethnography of Media Consumption. London: Sage.

Morley, D. (1992): Television, audiences and Cultural Studies. London: Routledge.

Myers, G. (2004): Matters of opinions: talking about Public Issues. Cambridge: Cambridge University Press. DOI: https://doi.org/10.1017/CBO9780511486708

Potter, J. (2003): “Discourse analysis and discursive psychology”. En Camic, P. M. y Rhodes, J. E. (eds.): Qualitative research in psychology: Expanding perspectives in methodology and design. (pp. 73-94). Washington, DC: American Psychological Association. DOI: https://doi.org/10.1037/10595-005

Rentschler, C. (2004): “Witnessing: US citizenship and the vicarious experience of suffering”. Media, Culture and Society, 26, 296-304. DOI: https://doi.org/10.1177/0163443704041180

Schlesinger, P., Haynes, R., Boyle, R., McNair, B., Dobash, R. E. & Dobash, R. P. (1998): Men Viewing Violence. Londres: Broadcasting Standards Commission.

Shaw, R. L. (2004): “Making sense of violence: a study of narrative meaning”. Qualitative Research in Psychology, 1, 131-151. DOI: https://doi.org/10.1191/1478088704qp009oa

Slattery, K. L., Doremus, M. & Marcus, L. (2001): “Shifts in public affairs reporting of the network evening US news: A move toward the sensational”. Journal of Broadcasting & Electronic Media, 45, 290-302. DOI: https://doi.org/10.1207/s15506878jobem4502_6

Sontag, S. (2003): Ante el dolor de los demás. Madrid: Alfaguara.

Tait, S. (2008): "Pornographies of violence? Internet Spectatorship on Body Horror”. Critical Studies in Media Communication, 25(1), 91-111. DOI: https://doi.org/10.1080/15295030701851148

Tisseron, S. (2003): Comment Hitchcock m´a guéri. Paris: Albin Michel.

Unz, D., Schwab, F. & Winterhoff-Spurk, P. (2008): “TV News – The Daily Horror. Emotional Effects of Violent Television News”. Journal of Media Psychology, 20(4), 141–155. DOI: https://doi.org/10.1027/1864-1105.20.4.141

UPC (2004): Pan European Christmas Survey, https://www.yumpu.com/en/document/view/332801/upc-pan-european-christmas-survey/5

Wodak, R., de Cillia, R., Reisigl, M. & Liebhart, K. (1999): The discursive construction of National Identity. Edinburgh: Edinburgh University Press. DOI: https://doi.org/10.1177/0957926599010002002

Zelizer, B. (2002a): “Finding Aids to the Past: Bearing Personal Witness to Traumatic Public Events”, Media, Culture & Society 24(5), 697–714. DOI: https://doi.org/10.1177/016344370202400509

Zelizer, B. (2002b): “Photography, Journalism, Trauma”. En Zelizer, B. y Allan, S. (Eds.): Journalism after September 11. London: Routledge, pp. 48–68. DOI: https://doi.org/10.4324/9780203218136_chapter_3

Published

2013-09-22

How to Cite

Fernández Villanueva, C. ., Revilla Castro, J. C. ., González Hernández, R., & Lozano Maneiro, B. (2013). TV violence: Disturbing, interesting or morbid?. Revista Latina De Comunicación Social, (68), 582–598. https://doi.org/10.4185/RLCS-2013-991

Issue

Section

Miscellaneous

Most read articles by the same author(s)