Hollywood and the Entrenched Archetype. Dramatic Clue and 9/11 Political Speech

Authors

  • Antonio Sánchez-Escalonilla García-Rico Rey Juan Carlos University

DOI:

https://doi.org/10.4185/926-937

Keywords:

Film, terrorism, 11-S, Entrenched character, American Fear

Abstract

Researchers of American society such as Stearns point out the panic of invasion and the foreign threat as one of the specific indications of the endemic American fear. In the wake of the 9/11 terrorist attacks, this fear has become even more intense before the eyes of the population. This atmosphere of threat has manifested itself in the form of xenophobia and entrenchment in certain sectors of the North American society. Between 2001 and 2008, Hollywood has reflected this social fear as a danger of disintegration in a multi-ethnic society, the result of a melting pot after centuries of history. This work tries to analyse the peculiar character of the entrenched in American fiction cinema after 9/11. The entrenched is a traditional figure in Hollywood landscapes since the times of the early western to the most recent trends in science-fiction, and now has been revitalized as an exponent of the ordinary citizen under risk of mass destruction or lethal invasion.

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Author Biography

Antonio Sánchez-Escalonilla García-Rico, Rey Juan Carlos University

Contracted Professor Doctor of Audiovisual Script at the Rey Juan Carlos University and doctor in Information Sciences, with a thesis on childhood in Steven Spielberg. He studied film at the University of California, Los Angeles and has worked in Hollywood as a film promotion assistant and story consultant. He is currently doing script analysis for Televisión Española.

He is the author of the biography Steven Spielberg: Entre Ulises y Peter Pan (Madrid, CIE Dossat 2004) and the manual Film script strategies, which has been published in six editions since its publication by Ariel in 2001. In this same publishing house, he has published Fantasía de aventura . Creative keys in novels and cinema (2009), Adventure script and forge of the hero (2002) and has coordinated the Dictionary of cinematographic creation (2003).

He directs the research project "The cinematographic treatment of social panic after the attacks of 11-S, 11-M and 7-J (2001-2008)", within the Program for the creation and consolidation of groups in the Community of Madrid- Rey Juan Carlos University.

Author of various articles in scientific journals indexed such as "The Hero as a Visitor in Hell: The Descent into Death in Film Structure", Journal of Popular Film and Television, vol. 32, no. 4, 2006, pp. 149-156; "Adventure fantasy: The exploration of fantastic universes in novels and films", Comunicación y Sociedad, vol. 22, December 2009. "The script as (unlikely) literary genre", Account and reason, no. 4, October 2008.

References

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Published

2009-08-06

How to Cite

Sánchez-Escalonilla García-Rico, A. (2009). Hollywood and the Entrenched Archetype. Dramatic Clue and 9/11 Political Speech. Revista Latina de Comunicación Social, (64), 926–937. https://doi.org/10.4185/926-937

Issue

Section

Miscellaneous