The use of audiovisual language in the expansion of performing arts outside theater: Don Giovanni’s case, by Mozart
DOI:
https://doi.org/10.4185/RLCS-2017-1217Keywords:
Opera, audiovisual communication, Don Giovanni, Performing Arts, language, mediaAbstract
This paper studies opera films of centuries XX and XXI, in order to identify whether the language used is closer to the theater standards of the performing arts typical of live or those of audiovisual media. Methodology: We have performed an exhaustive contents analysis of the end of the first act from 29 filmed versions of Mozart’s Don Giovanni, according to three categories: type of film, type of camera shots used and type of editing. From these, we evaluated 41 variables. Results: We conclude that, with the purpose to expand a performance such as the operatic outside theaters, even in the XXI century, live still limits the form of films. Our paper highlights that it is not enough to transfer operatic contents to mediatic platforms, but making the most of the audiovisual language to generate narrative sense is also needed. We suggest several ways to do so.
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