Branded Entertainment: Entertainment content as marketing communication tool. A study of its current situation in Spain

Authors

DOI:

https://doi.org/10.4185/RLCS-2015-1057

Keywords:

Marketing, communication, branded entertainment, relationship marketing, branded content, engagement

Abstract

New communication tools are emerging within the new marketing paradigm. One of these tools is branded entertainment, a kind of hybrid message used by brands to produce entertainment content. Method: the main objective of this article is to provide a better understanding of branded entertainment, and to explore its current situation and the expectations about its future in the Spanish market. This is an exploratory study based on in-depth interviews applied to a group of experts on the creation and distribution of branded entertainment. Results and conclusions: people involved in the creation and distribution of branded entertainment are very aware of its potential as a communication technique; experts agree that content must be relevant in order to be able to compete with other entertainment products; due to the growing ineffectiveness of intrusive techniques, the use of branded entertainment is expected to increase significantly in the near future; branded entertainment is perceived as the most suitable tool to generate consumer engagement.

Downloads

Download data is not yet available.

Author Biographies

Joaquín de Aguilera Moyano, Instituto de Empresa Business School

Joaquín de Aguilera Moyano holds a Ph.D. in Communication from the Rey Juan Carlos University (Madrid). Associate Professor in the Marketing Department of the IE Business School and Academic Director of the area of Integrated Marketing Communications of the M.A. programme in Management of the same university.

His area of interest is marketing communications. His latest work focuses on the modern forms of commercial communication, and particularly on branded content and branded entertainment.

Thirty five years of work experience in marketing agencies, twenty five years of work experience in senior management positions, including three years as general manager of a television production company.

Miguel Baños González, Rey Juan Carlos University

Associate Professor in the area of Audiovisual Communication and Advertising at the Rey Juan Carlos University. Ph.D. in Information Sciences from the Complutense University of Madrid. Author of Imagen de marca y product placement(ESIC, 2012);Las palabras en la publicidad. El redactor publicitario y su papel en la comunicación publicitaria(“Words in advertising. The advertising writer and its role in marketing communication”) (Ediciones del Laberinto S.L., 2009); Al filo de la verdad. Historias de la publicidad en el cine (“On the edge of truth. Stories of advertising in cinema”)(CIE Dossat, 2005); Product placement. Estrella invitada: la marca (“Product placement. Guest star: the brand”) (CIE Dossat, 2003); Métodos heurísticos y creación publicitaria (“Heuristic methods and advertising creation”) (Universidad Complutense de Madrid, 2003); Creatividad y publicidad (“Creativity and advertising”) (Ediciones del Laberinto S. L., 2001).

Research lines: social advertising on social networks; influence of the methods to stimulate creativity in advertising; effectiveness of product placement as a way of advertising; analysis of websites targeting market segments; the cinematic imaginary: representation of the advertising system.

Creative and creative director in different national and international advertising agencies from 1986 to 2004.

Francisco Javier Ramírez Perdiguero, ISEAD Business School

Francisco Javier Ramírez Perdiguero holds a Ph.D. degree in New Marketing Trends, an M.A. degree in Humanities, and a B.A. degree in Information Sciences. Professor of Creative thinking and innovation; Action-driving communication; Product co-creation; Fundamentals of customer-oriented marketing at the ISEAD Business School, where he is also Dean.

Member of the research group of the Centre for Competencies of the ISEAD Business School and of the IGOID research group. His research focuses on the detection of KPIs in creative unlocking processes suitable to be implemented in the secondary-level education.

More than twenty years of work experience in the advertising industry, managing big consumer, car and fashion distribution brands. His professional career started at McCann Erickson, Madrid and Frankfurt, and was consolidated at TAPSA/NW Ayer and DMB&B in Madrid. His customers include: General Motors, SEAT, Fiat, C&A Modas, P&G, Texaco, MB Juegos, Koipe, Mantequerías Arias, and DO Vinos de Madrid.

Current Managing partner and representative of ARTDID, Marketing y Comunicación.

References

Balasubramanian, S. K. (1994): “Beyond Advertising and Publicity: Hybrid Messages and Public Policy issues”. En Journal of Advertising, 23(4), pp. 29-46. DOI: https://doi.org/10.1080/00913367.1943.10673457

Baños, M. & Rodríguez, T. (2013): “El recuerdo del product placement en el espectador y su relación con la estructura dramática. Estudio de caso en el cine de Alex de la Iglesia”. En Comunicación y Sociedad, 26(2), 147-176. Navarra: https://bit.ly/3JuzbxW (14-07-2014).

Bigné, J. E. (2000): “Las técnicas de la investigación comercial”. En Martínez Gastey, J. et al. La investigación en marketing, tomo I. (pp. 157-176). Barcelona: Aedemo.

Campos-Freire, F. (2013): “El futuro de la TV europea es híbrido, convergente y cada vez menos público”. En Revista Latina de Comunicación Social, 68. (pp 89-118). La Laguna (Tenerife): Universidad de La Laguna. https://dx.doi.org/10.4185/RLCS-2013-970 (25-12-2014). DOI: https://doi.org/10.4185/RLCS-2013-970

Canter, A., Asmussen, B., Michels, N., Butler, A. & Thomson, S. (2013): Defining Branded Content for the Digital Age, en Developing a clearer understanding of a ‘new’ key marketing concept. Oxford: Oxford Brookes University.

Dafonte-Gómez, A. (2014): “Claves de la publicidad viral: De la motivación a la emoción en los vídeos más compartidos”. En Comunicar, 43, pp. 199-207: http://www.revistacomunicar.com/index.php?contenido=detalles&numero=43&articulo=43-2014-20 DOI: https://doi.org/10.3916/C43-2014-20

Duncan, T. (2012): “Branding and Content: finding the right balance – A Content Marketing whitepaper”. En Studio One: http://contentmarketinginstitute.com/2012/02/history-content-marketinginfographic/ (12-07-2014).

Frutos Torres, B., Sánchez Valle, M. & Vázquez Barrio, T. (2012): “Empirical analysis of values on interactive advertisement aimed at a teenage audience”. En Communication & Society 25(2), Navarra: https://dadun.unav.edu/bitstream/10171/28118/3/20200915081256235.pdf DOI: https://doi.org/10.15581/003.25.36163

Gambetti, R. C. & Graffigna, G. (2010): “The concept of engagement: a systematic analysis of the ongoing marketing debate”. En International Journal of Market Research, 52(6), pp. 801-826. https://www.researchgate.net/publication/230770671 DOI: https://doi.org/10.2501/S147078531020166

García Santamaría, J.V., Pérez Serrano, M. J. y Alcolea Díaz, G. (2014): “Las nuevas plataformas televisivas en España y su influencia en el mercado”. Revista Latina de Comunicación Social, 69, pp. 390-417. Recuperado de http://www.revistalatinacs.org/069/paper/1017_UC3/20jes.html DOI: https://doi.org/10.4185/RLCS-2014-1017

Grupo Consultores. (2013): Contentscope. Primera edición. Madrid: Grupo Consultores.

Infoadex. (2014): Estudio Infoadex de la inversión publicitaria en España. Resumen. Recuperado de https://www.infoadex.es/home/wp-content/uploads/2017/12/RESUMEN-2014.pdf

Kotler, P., Keller, K. L., Brady, M., Goodman, M. & Hansen, T. (2009): Marketing management. Nueva Jersey: Pearson Prentice Hall.

Legeren, B. & García, S. (2012). “Cambios y tendencias de la publicidad”. En Icono 14, 10(3), pp. 365-382, Madrid: http://www.icono14.net/ojs/index.php/icono14/article/view/185

Lehu, J. M. (2007): Branded entertainment: product placement and brand strategy in the entertainment business. London: Kogan Page.

Lopresti, M. J. (2013): Growth of Content Marketing. En EContent Magazine, Issue, pp 8-10.

Luengo, S. (2000): “Planificación de un estudio y redacción de un cuestionario”. En Martínez Gastey, J. et al. La investigación en marketing, tomo I (pp. 225-242). Barcelona: Aedemo.

Martí, J. (2010): Funny marketing: consumidores, entretenimiento y comunicaciones de marketing en la era del branded entertainment. Madrid: Volkers-Kluwer.

Martínez Rodríguez, P. (2000): “Las técnicas cualitativas”. En Martínez Gastey, J. et alter, La investigación en marketing, tomo I. (pp. 319-346). Barcelona: Aedemo.

Mayar, V. & Ramsey, G. (2011): Digital impact. The two secrets to online marketing success. Hoboken: John Wiley & Sons.

Neurads (2013): ¿Qué diferencia al Product Placement del Branded Content? http://www.neurads.com/product-placement-vs-branded-content/ (17-09-2014).

Nicolás Ojeda, M. A. (2013): “La implicación del usuario en la producción publicitaria. Una reflexión sobre la publicidad espontánea generada por los usuarios/consumidores”. En Icono 14, 11(1), pp. 303-317, Madrid: http://www.icono14.net/ojs/index.php/icono14/article/view/204 DOI: https://doi.org/10.7195/ri14.v11i1.204

Pino, C. & Olivares, F. (2007): “Brand Placement y Advertainment: integración y fusión entra la ficción audiovisual y las marcas”. En Zer, 22, pp. 341-367.

Pulizzi, J. (2012): “The rise of Storytelling as the new marketing”. En Pub Res Q, 28, pp. 116-123: http://link.springer.com/article/10.1007%2Fs12109-012-9264-5 (13-12-2014). DOI: https://doi.org/10.1007/s12109-012-9264-5

Ramírez-de-la-Piscina-Martínez, T. (2013): “Los lipdubs, como herramientas de conquista social. Estudio de cuatro casos paradigmáticos realizados en Quebec, EEUU, Cataluña y País Vasco”. En Revista Latina de Comunicación Social, 68. (pp. 55-88).La Laguna (Tenerife): Universidad de La Laguna. https://dx.doi.org/10.4185/RLCS-2013-969 (18-02-2015). DOI: https://doi.org/10.4185/RLCS-2013-969

Ramos, M. (2006): “Cuando la marca ofrece entretenimiento: aproximación al concepto de advertainment”. En Questiones Publicitarias, 1(11), pp. 33-49. DOI: https://doi.org/10.5565/rev/qp.134

Rappaport, S. D. (2007): “Lessons from online practice: new advertising models”. En Journal of Advertising Research, 47(2), pp. 135-141. https://dx.doi.org/10.2501/S0021849907070158 DOI: https://doi.org/10.2501/S0021849907070158

Regueira, F. J. (2012): El contenido como herramienta eficaz de comunicaciónd e marca. Análisis teórico y empírico (tesis doctoral), Departamento de Economía de la Empresa, Universidad Rey Juan Carlos.

Rose, R. & Pulizzi, J. (2011): Managing Content Marketing. The real-world guide for creating passionate subscribers to your brand. Cleveland: CMI Books.

Tuomi, C. (2010): Branded Entertainment. Discovering the Possibilities in Mobile Media. Master’s Thesis, Hanken School of Economics, Department of Marketing. Recuperado de https://bit.ly/3sPhUsQ

Published

2015-09-20

How to Cite

de Aguilera Moyano, J. ., Baños González, M. ., & Ramírez Perdiguero, F. J. . (2015). Branded Entertainment: Entertainment content as marketing communication tool. A study of its current situation in Spain. Revista Latina de Comunicación Social, (70), 519–538. https://doi.org/10.4185/RLCS-2015-1057

Issue

Section

Miscellaneous